As we gear up for the 8th edition of Nyege Nyege, it’s time to reflect on how this small gathering in Jinja has significantly transformed our perception of music and arts festivals. It has set a remarkable precedent for how festivals can be both enjoyable and beneficial to society as a whole.

Originally established in 2015, Nyege Nyege had a noble objective: to provide a platform for emerging Ugandan artists to showcase their talents to new audiences. In an industry often guarded by gatekeepers, who often stifle the growth of budding artists, Nyege Nyege took a bold stance by not featuring established stars. Instead, it became the torchbearer for independent music, earning its reputation as the premier African music showcase globally. Industry players from around the world now converge on this festival. Today, Ugandan artists such as MC Yallah, DJ Kampire, Nakibembe Embaire Troupe, and many others represent Uganda on the interna<onal stage. With over 1,000 artist applications annually, Nyege Nyege stands as the most esteemed platform of its kind.

But Nyege Nyege’s impact extends far beyond the realm of music. Uganda’s economy heavily depends on tourism, providing numerous jobs and opportunities. Nyege Nyege has emerged as Uganda’s most recognized global brand, garnering recognition in prestigious publications like The New York Times, The Guardian, and Le Monde. It has positioned Uganda as a preferred tourism destination. A festival reflects a thriving nation, one characterized by culture, hospitality, peace, and efficient organization – qualities that tourists and investors seek in their next destinations.
Drawing over 5,000 international visitors every year, Nyege Nyege indisputably claims its title as East Africa’s paramount music and arts event. It has consistently received the Ekkula Award for “Tourism Event of the Year” from the Uganda Tourism Board for the past three years, even inspiring imitation festivals in Rwanda, Kenya, and Dubai.

Once again, this year’s Nyege Nyege is set to fill every available accommodation in Jinja, from hotels to private residences. The festival will directly employ over 1,000 individuals and indirectly benefit an additional 5,000, making a significant contribution to the Ugandan economy in the millions of dollars.
From a cultural perspective, Nyege Nyege has been a beacon for promo<ng Uganda’s diverse musical heritage from every corner of the country. It fosters a sense of pride in Ugandan culture as revelers rediscover the nation’s rich cultural tapestry, all while witnessing global appreciation for Uganda’s musical traditions.

Nyege Nyege has done much more than boost the creative sector and showcase Uganda on the world stage. It has created jobs, provided a rare annual opportunity for over 200 vendors to

generate substantial profits, preserved our traditions, and contributed significantly to the Ugandan economy. It has proven that it is not just a festival but a pathway to making festivals more meaningful than mere celebrations.

Despite reaching its 8th edition, Nyege Nyege still contends with an unfounded negative image perpetuated by those who have never abended the festival. While law enforcement and government stakeholders ensure compliance with the country’s laws each year, bizarre and baseless accusations continue to circulate, including claims of devil worship and animal-related misconduct. These allegations have unjustly polarized the festival, obscuring the fact that it is one of Uganda’s most exciting cultural endeavors in over a decade.